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Maldita Vecindad:
Bridging Mexican and Chicano Rock
by Mark Guerrero
Maldita
Vecindad is a rock en Español band from Mexico whose
music is a mixture of punk, rap, ska, funk, and
Latin. Their presentation is high energy and
relentless. They were formed in Mexico City in
1985 and describe themselves as a mambo punk
combo. According to their bio, their songs are
about "the poor neighborhoods of the city, and
about urban characters, such as the marginalized people
resulting from the modernizing image of Mexican
identity." They are of great importance to
Chicano music because they were among the first Mexican
rock musicians to express a kindred spirit with the
Chicano movement. On their early recordings,
Maldita Vecindad y Los Hijos del Quinto Patio (BMG
Ariola 1989) and Circo (BMG Ariola 1991), Maldita's
music delved into Chicano culture with songs such as
"Mojado," "Pachuco," and "Pata
de Perro." In addition to the two albums
above,
Maldita Vecindad released "Baile de Máscaras"
(1996), "Mostros"
(1998), and "Greatest Hits + Rarities
1989-1999" (2000).
In 1989, Maldita Vecindad toured the United States for
the first time. The tour was in support of their
first album, the aforementioned "Maldita Vecindad y
Los Hijos del Quinto Patio." Their 1992-93
"Pato de Perro" tour included, Mexico, the
U.S. and a six months in Europe. In Europe, they
started by playing some small venues but were soon
invited to play some major festivals with audiences of
as large as hundreds of thousands. These shows
also featured such artists as Bob Dylan, Faith No More,
Sonic Youth, Hole, Leonard Cohen, INXS, and
Madness. The Malditos, as they are also known,
played in Portugal, Italy, Spain, Switzerland, Austria,
Germany, Belguim, The Netherlands, France, Sweden,
Norway, Denmark, England, and Ireland. A live album from
this tour was released in 1993, entitled "Pato de
Perro." They've toured the United States and
Latin America extensive throughout the 90s to the
present and played to sold out shows everywhere.
They are a very politically conscious and active band,
playing for peace in Chiapas and other causes and
cultural events. The "12 Serpiente"
concert, which took place at the National University of
Mexico in May 1995 drew more than 30,000 people in
support of peace in Chiapas, Mexico. It featured
16 rock bands, dancers, and dramatic artists. In
October 1996, Maldita Vecindad recorded an MTV
Unplugged. The program was broadcast in the U.S.,
Mexico, Central, and South America. Their video
for their song Don Palabras was nominated by MTV in the
"Best Latin Videw" category for the 1997 MTV
Video Music Awards. In 1998, they played the Greek
Theater in Los Angeles for an audience of 7200. In
addition, they've contributed music to many compilation
CDs, including "Reconquista, The Best of Latin Rock
in the United States" (Rhino Records), "Juntos
por Chiapas" (Polygram), "The Best of Latin
Rock" (compilation by David Byrne), "Tributo a
Jose Jose" (BMG), and "Homenaje a Los Tigres
del Norte" (Fonovisa). They also had a song,
"Morenaza," on the "Reality Bites"
soundtrack.
In October of 2003, Hector Calderon, an academic (who
teaches at U.C.L.A.) and a friend of Maldita Vecindad,
wrote a long letter to my dad, Lalo Guerrero, on behalf
of the band. It mentioned, among other things,
that Maldita admired my dad as a pioneer of Chicano
music. He suggested possibly doing a live show
with my dad and Maldita Vecindad at some point. At
87 years of age, my dad was not aware of the rock en
Español movement, so he asked me to read the letter and
advise him on it. I told him they were an
important band and that we should reply. I e
mailed Hector, who told me Maldita was in Southern
California and were going to play at a large night club
in Rialto in a couple of days. Since it was about
an hour from my home in Palm Springs, I went to check
them out. I met Hector there and caught their
show. I was impressed with the enthusiasm of their
fans, who chant the word "Maldita" over and
over again until they appear on stage. Many of
them jumped up and down for the whole one hour plus show,
which is extremely high energy. After the
performance, I
met the band and had a great conversation back stage
with Roco, their lead singer. He was very
politically aware and very enthusiastic about Chicano
music and culture. Afterwards Hector and I had
dinner with Aldo (the bass player) and their new
drummer, Javier Sosa. I found Aldo to be very
interesting and also politically aware. The other
members of the band are Pato (guitar) and Sax (sax), and
Daniel Infanzón (percussion).
It so happened that my dad and I were scheduled to
perform a few days later at the John Anson Ford
amphitheater
in Hollywood. The concert was to be a tribute to
my dad that included my band, Mark Guerrero & Radio
Aztlán, Trio Los Panchos, my dad, and others. I
invited Maldita Vecindad to come to the concert.
It so happened they had a concert out of state, but they
would be back in the L.A. area the morning of the Lalo
tribute event because they were scheduled to play in the area
the next night. They all came to the concert and
enjoyed it very much. They came backstage and I
introduced them to my dad. Afterwards, Hector,
Aldo, and I started to talk about doing a concert with
Maldita, my band, my dad, and Don Tosti, possibly at
U.C.L.A. in 2004. Everyone is in agreement and
enthusiastic to do
it, but were now working out the details and
logistics. The event would also include a seminar
on Chicano/Mexican music to be held perhaps the day
before. Hopefully, it will all happen in
December. Maldita Vecindad's website is www.fuga.com.mx/malditavecindad.
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(left
to right- Roco, Aldo, Sax, Mark Guerrero, Lalo
Guerrero, Javier Sosa, Daniel Infanzon, Jesus
Mendez, and Pato)
(backstage
at the John Anson Ford Amphitheater, October 4,
2004) |
Real
Audio Sound Byte
Real
Player Required- Download it here, if needed
Pachuco
Pato
de Perro
Mojado
Maldita Vecindad 1989

Contact me at: info@markguerrero.net
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