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Lalo Guerrero Memorial Service- Palm Springs, California
March 21, 2005
by Mark Guerrero
At 12 noon
on Monday,
March 21, 2005 we held a memorial mass for my dad, Lalo Guerrero, at Our Lady of
Solitude church in Palm Springs, California. My dad had lived in the
Coachella Valley, of which Palm Springs is a part, since 1973. I moved to
the valley in 1990. I'm glad I did because I got to spend a lot of time
with him during what turned out to be the last 15 years of his life. In
1998, I bought a house which happened to be a few blocks away from his house in
Cathedral City, which is adjacent to Palm Springs. That worked out well
too because I was close by as he needed more and more assistance as he got older
and more frail. Lalo Guerrero passed away peacefully at the age of 88 on
March 17, 2005. My brother Dan and I wanted to have his memorial services
occur in a timely manner so I immediately went about securing the church and a
venue for the reception which was to follow the service, while my brother set up
the church and reception for the service and reception for Tucson, Arizona, my
dad's hometown.
Our Lady of
Solitude church in Palm Springs turned out to be the perfect setting for the
memorial mass. It's a older Spanish-style church, which had recently been
refurbished on the inside in the mission style. It had seating for 300
people. As it turned out, all the seats were filled with about 100
additional people standing. My brother commented during his eulogy that my
dad would have loved that he had a standing room crowd. We were very
pleased, especially because word only started to get out about the date and
location of the service two days prior. Family members attending, besides
my brother and me, were his widow, Lidia and her two children Jose, 39, and
Patty, 36, whom my dad adopted and raised from a young age. Also, Patty's
son and daughter, Jason, 17, and Alana, 7. My mom, Margaret, whom my dad
married in 1939 and was married to him for 24 years, could not make it because,
ironically, she fell and broke her arm the day after my dad's passing.
My 10 year old daughter, Maya, also did not attend because she didn't think she
could handle it. Another interesting irony was that this day, March 21st, was my birthday.
Many musicians were in attendance including Ry Cooder, Trini Lopez, Chan Romero,
Max Uballez, Justo Almario, Steve Alaniz, Willie Loya, Ruben Guevara, Ernie
Hernandez, John Valenzuela, Trini Basulto, Lorenzo Martinez, Tim Gross, Alex
Armstrong, David
Allen Cruz, and Carmencristina Moreno. There were also many friends,
relatives, and others whom my dad may not have known whose lives had been
touched by him and his music. In front of the congregation on the right
side of the altar area was a 24" x 36" mounted black and white photo of my dad
in his prime with a classic microphone from the 1940s also in the picture.
In front of the photo, which was on an easel, was a Martin acoustic guitar he
had bought in 1941 and given to me in the late 60s, when I had it refurbished.
A bizarre thing happened to the photo at the beginning of the service.
When the priest and his two altar boys were blessing the photo, some holy water
hit the photo and dripped down the image of my dad's face. For a moment it
looked as if the image on the photo might be crying and some may have thought
some kind of miracle was occurring. My dad was an amazing person but can I
assure you, it was definitely the holy water. We had to have another
mounted enlarged photo made quickly to take to the Tucson memorial the next day.
The service
was a mariachi mass with about fifteen musicians up in the balcony at the rear of the church. The
group was made up of various excellent local mariachis including members of Grupo Tenampa,
who had a good and long-time relationship with my dad. The rousing,
emotional music helped make the service more of a celebration of a full and
amazing life, than a solemn, depressing affair. After one of their songs,
the mariachi yelled out in unison "que viva Lalo" to which the entire
congregation repeated the phrase in a call and response manner several times.
The Reverend Miguel Ceja presided over the service in a similar spirit. He
also led the congregation in some rousing call and response moments as well as
injecting a bit of humor at times. He conducted the mass bilingually and
proved to be the perfect priest for the mass. World-class opera singer,
Suzanna Guzman (originally from East L.A.), sang a beautiful a cappella version of "Our Father,"
followed by Maria Elena Gaitan (a.k.a. Chola con Cello), who played an
instrumental version of my dad's classic "Barrio Viejo." My brother Dan
followed with his eloquent, emotional, and sometimes humorous eulogy. He
shared some of his memories of our dad and quoted from some e mails he received
from people we'd never met whose lives were affected by our dad's life and
music. He
ended his eulogy by asking the congregation to stand and give our dad a standing
ovation, to which they enthusiastically obliged. My eulogy was last. I
spoke, with some emotional difficulty, about some childhood memories of my dad
as well as various musical experiences I shared with him. I also read a paragraph I
wrote about my dad's musical legacy. I concluded my eulogy by
singing my 1992 song, "The Ballad of Lalo Guerrero." There was
another long standing ovation. The emotion and outpouring of love was
palpable in the church and made the memorial mass a magical and unforgettable experience
for everyone who was fortunate enough to be there. No one will ever forget
it. At the nearby Cathedral City civic center, on Avenida Lalo Guerrero,
the flags at city hall were at half mast and black ribbons were placed on his
street signs. A couple of weeks later, the Cathedral City city council
presented a posthumous proclamation to our family. See below for the text of my statement
at the memorial mass about my dad's musical legacy
as well as the lyrics to my tribute song, followed by a short account of the
reception which followed the service:
Lalo Guerrero's Musical Legacy
Lalo
Guerrero is “The Father of Chicano Music.” He will forever be known as “The
Father of Chicano Music” because his musical career as a singer/songwriter
produced a body of work of a quality, quantity, and diversity that is
unparalleled. And I’m not talking about only in Chicano music. It’s
unparalleled period. He wrote and recorded rancheras, boleros, tex mex, musica
norteña, banda, cumbias, mambos, rumbas, Spanish language covers of American
hits, swing, boogie woogie, blues, rock & roll, songs of social relevance, as
well as comedy, parodies, and children’s music. He was the first to use caló (pachuco
slang) on record. He did this first with the Trio Imperial, before recording
songs such as “Los Chucos Suaves” and “Chicas Patas Boogie” with his Cinco Lobos
in the late 40s. As if all that weren’t enough, he was a world class vocalist,
who could have held his own with the best singers in mainstream American popular
music. I have the recordings to prove it. He also had that magic ingredient
called charisma. There never has, and never will be anyone like him. He’s no
longer with us, but his music and spirit will remain with us and endure for
future generations.
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Mark Guerrero
(eulogy and song)
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The Ballad of Lalo Guerrero
In Tucson,
Arizona on a cold Christmas eve
In nineteen hundred and sixteen the world was to receive
An infant with the promise to achieve renown
And from a small adobe house his music would resound
And since we’re gathered here today
Father I just want to say
Thank you
for your “Cancion Mexicana”
Expressing all your love for Mexico
From all of your hermanos y hermanas
Your legend’s got a long long way to go
His
childhood was painful, smallpox took its toll
The scars it left were many to his body and his soul
But his spirit was not conquered, his love of life prevailed
And though he made mistakes in life his music never failed
You made us laugh through all the tears
You brought us joy throughout the years
Thank you for your rocking “Elvis Perez”
Thank you for your jolly “Pancho Claus”
Las Ardillitas and your “Pancho Lopez”
I hope you feel the love in our applause
And “Los Chucos Suaves”, they dance the night away
To “Chicas Patas Boogie” and you can hear them say
Thank you
for your love songs and corridos
Songs that helped the people of Aztlán
Thank you for your melodies and ritmos
And the voice we love to sing the songs
We hope that you believe us
We love you además
Your music will not leave us
“Nunca Jamas”
Words &
Music by Mark Anthony Guerrero
c 1994 Mark A.
Guerrero. All Rights Reserved
After the service, there was a reception for friends and family at Las
Casuelas Terraza, a few blocks from the church. This is the beautiful
Mexican restaurant and cantina where I perform regularly. A buffet was set
up, courtesy of owners Ric Service and Patty Delgado, in the outdoor cantina.
Lorenzo Martinez, who had played guitarrón with me and my dad in Paris, France
and other venues in the late 90s, took the stage with some of his musician
friends on other acoustic guitars and began to sing and play. My longtime
musical partner Alex Armstrong joined in on requinto and the jam was off and
running. Saxophone legend Justo Almario played, as did Willie Loya on
congas. Willie had played with my dad and me often in the late 90s in the
Second Generation Band. Steve Alaniz, another great sax player who'd also
played with the Second Generation Band, as well as with my current Mark Guerrero
& Radio Aztlán, joined in when I got up to sing my dad's "Los Chucos Suaves" and
"Tin Marin de do Pingue." David Allen Cruz, a former teatro campesino
member who had sung with me in the late 80s in Palm Springs, and Carmencristina
Moreno, a brilliant and powerful singer who goes way back our family, also sang
with the makeshift, but excellent band. The reception went on all day.
At 5:30 my band went on to do our regularly scheduled gig. Many of the
reception guests stayed well into the night. It seems many didn't want the
special day to end. Click below to read about the Tucson memorial mass and
reception.

Contact me at: info@markguerrero.net
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